Tuesday, 9 March 2010

Towards a Homogenised Society?

Yesterday, in Waitrose, I chanced across a bottle marked "traditional" milk. Could it be? Yes! The label confirmed it. Unhomogenised. What joy.

I have always thought of homogenised milk as one of the scourges of modern life, depriving us of such simple pleasures as top of the milk on your breakfast cereal. I remember with fondness the breakfast times of my youth, racing my siblings to see who could get to the bottle first; berating any adult thoughtless enough to invert the bottle before opening it.

I grabbed the bottle (not too harshly, don't want to shake it) and nestled it into my trolley. This morning, once more, I was able to delight in my simple childhood pleasure. As I did so, though, I started to ponder on the parallels between milk and other aspects of life. Has society itself become too homogenised?

These days, it seems, we fear and discourage the exceptional and celebrate the mundane - the "norm". The education system is the worst culprit and has slowly been promoting the cult of the mediocrity for years. Even as long ago as when my children were at school, the different sets of kids were not labelled A, B, C but using successive letters in the school's name, because they didn't want any children to think of themselves as, say, an E and therefore a failure. I suspect you had to be in the bottom ten percent of the E set for that subterfuge actually to work but the idea behind it was an early symptom of the desease of homogenisation.

Today, inter-school sports competitions are considered subversive as they may be disheartening for the losers. So called celebrity TV reality shows abound with celebrities whose only claim to fame, that I can discern, is that they are famous. The media world rejoices in the number of channels now available through digital TV without, apparently, the slightest concern about the quality of programmes broadcast by those channels. Everywhere you look, mediocrity abounds and society is gradually turning a homogenised shade of grey.

Cream always rises to the top, they say. That hasn't applied to milk for many years. How long before it ceases to apply in the figurative sense too?

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Monday, 1 March 2010

The Book Signing

Well that's it. My first book signing completed. I have finally arrived as a writer? Er, maybe not. This writing business is a real roller coaster of triumphs and knock backs. Read on for one writer's experiences of trying to climb the slippery pole...

When I first started this writing malarkey I used to think that getting published was the holy grail. Get published and you had made it as a writer. Actually, that's not entirely true. When I first started writing, getting published wasn't even on the radar. I wrote my first book because it had to be written. Only when I'd finished, and ended up with something I reckoned was on the "really-quite-good" side of "not-bad", did my thoughts turn to the publishing world. I was confident publishers would be queuing up to help me unleash my masterpiece on the eagerly awaiting public. How naive can you get?

Dozens of rejection slips later, the truth finally dawned on me. There was more to getting published than just writing a decent book. This was a commercial business, not a literary club. The book had to be good, yes, that goes without saying but that, on its own, wasn't enough. Unless you had a "name" then you either needed something so gob-smackingly unique it was going to take the world by storm (and I'm not even sure those types of books exist) or you had to have the right product at the right time. I crawled back under my stone and continued to write more books that had to be written but which, I accepted, probably very few people would ever read.

My luck changed about eighteen months ago when my wife came home and told me that some director called Tim Burton was making a new Alice film so why didn't I try sending out my Alice book manuscript again. Older, wiser and considerably more cynical, I tried again without much optimism but, to my enormous surprise, the book got picked up - not by one of the big publishers, it was a small independent but, nevertheless, it was real publishing. There was someone out there with enough faith in my product that they were going to use their money to publish my book. Finally I had made it as a writer. I had achieved the holy grail. I was to be a published author. How naive can you get?

I now started to learn that being published isn't a goal. It is a step on the ladder - and only the bottom rung at that. The next problem I had to face was that no one had ever heard of me. The publisher, bless him, does his best but in all honesty he doesn't have any more publicity resources than I do. I badgered the local press and they promised to write and publish a review, but didn't. I approached the local radio offering my witty repartee, free of charge, as a chat show guest. I even had an "angle" - the problems facing the new author in a competitive publishing market, but my offers fell on deaf ears. I did manage to mention on an Anne Diamond phone-in that I had had a book published, and she was obligingly interested, but I was too startled, polite and embarrassed actually to mention the title. Some publicist I'm turning out to be.

The only places I achieved minor successes was with the local libraries, schools and bookshops. It was the local bookshop who offered me my next big break. Last Saturday, with everyone talking about the imminent premiere of the Tim Burton film, they were kind enough to organise a book signing for me. Last week, their entire shop window was taken up with my book. There were advertising banners, tee shirts and dozens of copies on display, covers outwards. I have never walked down the high street so many times in one week. I had butterflies every time I saw someone peering in the window. The shop was advertising my product and I was to spend Saturday afternoon servicing a queue of eager readers just itching to get an early signed example from the upcoming, and soon to be famous, new author. How naive can you get?

Saturday afternoon arrived. It was raining and there was an England rugby match on the telly. I sat, smiling beatifically at those few customers who passed. It was over half an hour before any customer actually spoke to me. At the end of the afternoon, I asked the manager what her expectations had been. She was kind but clearly a little disappointed. She said the public were fickle, such occasions could be very variable, and one might sell as many as fifty or as few as a dozen. We both politely avoided mentioning the fact that I had only sold seven. I enjoyed the experience but it was a humbling one. Divide seven book royalties by the two and a half hours I spent there and the hourly rate is humiliating. Yet I would not have missed it for the world. It was seven books I would not otherwise have sold and the thrill you get the first time someone comes up to you, someone you don't know but who has nevertheless forked out their hard earned money for your book and now wants you to sign it, that is undescribable.

I think I am slowly coming down to earth and my targets are more realistic. I would like to make enough money in royalties to cover the cost of the hundred author copies I optimistically ordered, nearly half of which remain unsold. I don't think that's far away. I have already recovered the cost of the illustrations I commissioned before I secured my publishing deal. Beyond that, I would like to earn enough to finance the up front self-publication costs of a collection of comic verse that no one, not even my current publisher, seems remotely interested in but which I think I could sell in modest numbers off the back of my school and library visits.

I would like to become interesting enough, or well enough known, for the local radio to show some interest. Local publicity is going well with gigs lined up in local schools and libraries but it would be nice to break out of the local area a bit. The Oxford Alice shop has apparently ordered twenty copies, which is a start.

I guess the next target is for sales to get into four figures, but that is going to be a struggle. There is still a small voice inside that keeps telling me that one day, just maybe, I will hit the big time - attract queues at book signings, creep into the lower echelons of the best sellers list, get talked about in literary circles. But then there's another, slightly louder, voice inside that keeps saying "how naive can you get?"

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Tuesday, 3 November 2009

Alien abduction of buffalo

According to local radio, a Berkshire resident has witnessed aliens abducting buffalo from a farm in Overton, near Basingstoke.

My initial reaction was "why buffalo?". Could this be a case of mistaken identity? Perhaps, if you're an alien, all earth life looks much the same. I can imagine the conversation now...

"We have tuned in to your radio and TV broadcasts. We know you are an intelligent species so take us to your leader."

"Moo"

"Moo? Lieutenant Zog, run that through the ship computer's language analyser. What's he saying?

Of course, I could have got it completely wrong. Maybe aliens are just excessively fond of mozzarella.

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Monday, 3 August 2009

Five Ages of Man

The five ages of man (or woman)

Childhood: My parents are always right.

Teenage: My parents are always wrong.

Maturity: My parents are sometimes right, sometimes wrong.

Middle Age: I have to tell my parents what's right and what's wrong.

Old Age: My parents, God bless them, were probably right all along.

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Friday, 12 June 2009

Finding an illustrator

Suddenly my publishing project has got real. I have hired an illustrator. In the process I have discovered there's one thing worse than being rejected (something with which we authors are all too familiar) and that's having to reject someone else.

When my first possible illustrator fell through, I was quite down for a while. In retrospect it had all been too easy. I had stumbled across a young art student on the recommendation of an internet friend, and everything seemed hunky dory at first. The only downer was he was often a bit tardy responding to my emails. Finally he admitted the reason was he didn't really have time for the project - well at least he told me before it was too late.

It took me a few weeks to pick myself up and have another go. I was finally inspired to take action when I had a couple of recommendations from contacts on the Lewis Carroll discussion group on Yahoo. In the event, finding an illustrator turned out to be a much less painful process than I had expected - at least, in some respects.

By this time I had become aware of a number of web sites where you could post projects inviting tenders from folks all over the world. I was a bit intimidated by the idea but decided I had nothing to lose as the site I had chosen made it clear the service was free to the "employer". So I went ahead.

In only a few days I had received more than 20 offers. These seemed to be divided into two categories. Some were from professional design studios, or full time designers, who had mistaken my budget of "up to 500 dollars" as being per picture rather than for the whole project. One studio, who had correctly interpreted my budget, took the trouble to write and tell me off for offering such a derisory sum but I was vindicated by the other responses. The majority of the responses were from individuals who were more than happy to take on the whole project for sums considerably less than my asking price.

Typically these were art teachers, students or others for whom this was a little bonus on the side rather than their bread and butter. They were darned good artists, though. A browse through their portfolios revealed some stunningly good pictures and illustrations. I was genuinely spoiled for choice. Meanwhile, one of my Caroll group contacts had also got back to me with some pretty good artwork and an unbelievable level of enthusiasm - at times I thought this lady had more confidence in, and enthusiasm for, the project than I had.

It was a really difficult choice but I finally had to go with an art teacher from New York. Her sample sketch of a scene from my first chapter was the closest to my mind's eye picture and the other artwork in her on-line portfolio convinced me she was more than good enough for the job. Oh yes. That was something else I got ticked off for. Apparently it was against the rules of the web site to ask prospective illustrators to provide a sample. I was supposed to go purely on their portfolios - though how I was supposed to tell from their illustrations of other things how they would interpret my Alice, I don't know. Anyway, against the rules or not, I got away with it. Several of those who tendered for my project did provide a rough sketch of my "Alice and dog" scene and it was these sketches which helped me most in making my final choice.

So what was the hard part? Saying no to those clearly very talented and enthusiastic artists who didn't win the contract. I didn't have time to respond to all but I felt I owed it to those who had so nearly made it, particularly the lady from the Yahoo group. Call me an overly sensitive old what's it but I find it really hard having to turn people down, particularly if they are clearly so enthusiastic. I'd rather have a dozen publishers' rejection letters any day than have to write one myself. I wonder if publishers and agents find it similarly agonising. Nah. They have to write so many, they must be immune to it.

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